FERGUS O'HARE
http://www.ibdb.com/person.asp?ID=70087
Fergus O'Hare
Male
Designer
Productions |
Function |
Dates of Production |
A Day in the Death of Joe Egg |
Sound Design by Fergus O'Hare |
Apr 3, 2003 - Jun 1, 2003 |
Noises Off |
Sound Design by Fergus O'Hare |
Nov 1, 2001 - Sep 1, 2002 |
Electra |
Sound Design by Fergus O'Hare |
Dec 3, 1998 - Mar 21, 1999 |
Current Productions: This Is How It Goes, The Philadelphia Story, Easter
http://www.hampsteadtheatre.com/productions/fergus_ohare.asp
Fergus O'Hare - Sound
Recent work in the UK includes:
Clouds (ACT); Cloaca, Hamlet (Old
Vic); Twelfth Night (AlberyTheatre); Shimmer
(Traverse); Henry IV (Donmar Warehouse); Home,
The Quare Fellow, Candida, Singer
(Oxford Stage Company) and Skellig (Young Vic).
Work in New York, Los Angeles and Sydney includes The Shape of Things,
A Day in the Death of Joe Egg, The Dance of Death,
Noises Off, Electra (Drama Desk Nominee) and
An Enemy of the People.
http://www.autograph.co.uk/html/news.php?dt_start=1079940963&news_show=4
Autograph Sound
News
DiGiCo Combine with Autograph on D5, Friday 15th November 2002
James Gordon, Fergus O'Hare, Andrew Bruce, Mick Potter & Bobby Aitken |
Theatrical sound design specialist Autograph
Sound Recording has purchased its first DiGiCo console. The 96 channel console,
which was delivered by DiGiCo's Sales Director James Gordon to Autograph in
early November, will become the first in the world to be fitted with the
forthcoming D5 Theatre package. The theatre software will include an enlarged
output matrix and a host of other features that are specific to the theatre
environment.
For almost three decades Autograph has been known for its pioneering input into
the design of many theatre-orientated products from manufacturers such as Meyer
Sound, Cadac, Sennheiser, Micron and Danish Pro-Audio.
Andrew Bruce, Autograph Chairman and Founder, will bench test the prototype
software in close consultation with DiGiCo engineers to produce a console that
can cater for the demands of setting up and running a large scale theatre
production.
"We are excited to be working so closely with
Digico to develop a digital console and software package that fully addresses
the needs of a live theatre environment, says Bruce, "DiGiCo has shown great
interest in collaborating with us on this project, recognising the experience
contained within Autograph. We have a real opportunity here to develop an
already award winning product into a console that appeals to most if not all
live production sound designers and operators."
Autograph has already hosted the first of several development workshops with
renowned theatrical sound designers such as Fergus O'Hare, Mick Potter, Bobby
Aitken, Paul Stannering and Steve Williams of mobile recording unit Sound Moves.
Autograph will also draw on its own pool of in-house talent, with the objective
of gaining as broad a range of experienced opinion as possible to ensure the
developments are relevant to today's engineers.
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